9th Wonder, The Teacher

Recently Gladys Knight proved her irrelevance by hating on hip hop. Big time producer, 9th Wonder, issued a response. In it, he harkened back to the days when rap provided more than entertainment:

It was because of artists like Public Enemy, KRS-One, Brand Nubian, and A Tribe Called Quest that I heard names such as Carter G. Woodson, Medgar Evers, Steve Biko, Kwame Toure’, Marcus Garvey, Fannie Lou Hamer, Shirley Chisholm, or ANYBODY outside of Martin Luther King and Harriet Tubman in public schools. These artists spoke about our elders in song, whether using the funk and soul records, or telling stories and mentioning names. From 1988 to 1993, black teens’ enrollment in college, especially HBCUs, rose to 45% because of the nature of the arts; from the African Medallions, to the Malcolm X t-shirts, the African-American College Alliance shirts Martin Lawrence wore on Def Comedy Jam, to School Daze, to the most powerful hour in black TV, The Cosby Show and A Different World. “Droppin’ Knowledge” if you will was made to be a “cool” or “in-crowd” thing. Unfortunately, the powers that be were against Hip-Hop being used as a NEW vessel to open the eyes of black kids and remind them to honor the struggles of the Civil Rights Movement of the 60’s. It is very odd that around the same time, a more negative form of hip-hop was being PUSHED to the forefront, so our elders could turn their heads away from what we were REALLY trying to say, and divide us as ALWAYS.


It is interesting to read someone point out the material effect "conscious" hip hop had on Black culture.